Pedro for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Pedro for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Pedro for Visonarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Marco for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Marco for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Carlotta for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Carlotta for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .