Johnny and Walter

I really enjoyed taking this series of portraits to my friends Johnny and Walter. They are best friends, they are irresistible together and they are the superstar organisers of this event in London. If you want to follow Walter adventures, of course he has an Instagram account ^_^

Johnny and Walter

I really enjoyed taking this series of portraits to my friends Johnny and Walter. They are best friends, they are irresistible together and they are the superstar organisers of this event in London. If you want to follow Walter adventures, of course he has an Instagram account ^_^

Johnny and Walter

I really enjoyed taking this series of portraits to my friends Johnny and Walter. They are best friends, they are irresistible together and they are the superstar organisers of this event in London. If you want to follow Walter adventures, of course he has an Instagram account ^_^

Maxine in London

I've been so lucky to meet this gorgeous lady (my friend Maxine) on my flight back from Ibiza! As she was going to stop in London for a few days, we decided to improvise a photoshoot ^_^. Of course she's an easy subject, having been modeling for so many years ;)

Maxine in London

I've been so lucky to meet this gorgeous lady (my friend Maxine) on my flight back from Ibiza! As she was going to stop in London for a few days, we decided to improvise a photoshoot ^_^. Of course she's an easy subject, having been modeling for so many years ;)

Vlad

I haven't posted anything for so long! Because London keeps me busy ;D So here some other pictures I took to my partner-in-crime Russian friend Vlad. We enjoyed the London Summer! On a Rooftop in Canary Wharf ;)

Vlad

I haven't posted anything for so long! Because London keeps me busy ;D So here some other pictures I took to my partner-in-crime Russian friend Vlad. We enjoyed the London Summer! On a Rooftop in Canary Wharf ;)

Loly in a Backstage

Lovely face from my last set! I shot an advertising campaign based on portraits of volunteers. This is just a quick backstage that I took with my dear Olympus Pen, that has a great black and white filter. We had great time! Art direction and impeccable organization by my friend Paolo@CR3ARE

Silvia

The interesting thing about my new portrait-mania is that I'm starting to look at people in a different way.

I knew Silvia years ago in Bologna, because she hired me for a fashion project; I always found her beautiful and charming, so when we met again in London, I asked her to pose for me.

We followed meticulously my self-inflicted rules: 1) Shot in her house 2) only natural light 3) No photo retouching except light and contrast -the kind of manipulation you could do in a dark room.

Styling from her (+ her husband) closet!

Silvia

The interesting thing about my new portrait-mania is that I'm starting to look at people in a different way.

I knew Silvia years ago in Bologna, because she hired me for a fashion project; I always found her beautiful and charming, so when we met again in London, I asked her to pose for me.

We followed meticulously my self-inflicted rules: 1) Shot in her house 2) only natural light 3) No photo retouching except light and contrast -the kind of manipulation you could do in a dark room.

Styling from her (+ her husband) closet!

Silvia

The interesting thing about my new portrait-mania is that I'm starting to look at people in a different way.

I knew Silvia years ago in Bologna, because she hired me for a fashion project; I always found her beautiful and charming, so when we met again in London, I asked her to pose for me.

We followed meticulously my self-inflicted rules: 1) Shot in her house 2) only natural light 3) No photo retouching except light and contrast -the kind of manipulation you could do in a dark room.

Styling from her (+ her husband) closet!

Silvia

The interesting thing about my new portrait-mania is that I'm starting to look at people in a different way. 

I knew Silvia years ago in Bologna, because she hired me for a fashion project; I always found her beautiful and charming, so when we met again in London, I asked her to pose for me.

We followed meticulously my self-inflicted rules: 1) Shot in her house 2) only natural light 3) No photo retouching except light and contrast -the kind of manipulation you could do in a dark room. 

Styling from her (+ her husband) closet!

Pedro for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Pedro for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Pedro for Visonarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Marco for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Marco for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Carlotta for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .