Maxine in London

I've been so lucky to meet this gorgeous lady (my friend Maxine) on my flight back from Ibiza! As she was going to stop in London for a few days, we decided to improvise a photoshoot ^_^. Of course she's an easy subject, having been modeling for so many years ;)

Loly in a Backstage

Lovely face from my last set! I shot an advertising campaign based on portraits of volunteers. This is just a quick backstage that I took with my dear Olympus Pen, that has a great black and white filter. We had great time! Art direction and impeccable organization by my friend Paolo@CR3ARE

Silvia

The interesting thing about my new portrait-mania is that I'm starting to look at people in a different way.

I knew Silvia years ago in Bologna, because she hired me for a fashion project; I always found her beautiful and charming, so when we met again in London, I asked her to pose for me.

We followed meticulously my self-inflicted rules: 1) Shot in her house 2) only natural light 3) No photo retouching except light and contrast -the kind of manipulation you could do in a dark room.

Styling from her (+ her husband) closet!

Silvia

The interesting thing about my new portrait-mania is that I'm starting to look at people in a different way.

I knew Silvia years ago in Bologna, because she hired me for a fashion project; I always found her beautiful and charming, so when we met again in London, I asked her to pose for me.

We followed meticulously my self-inflicted rules: 1) Shot in her house 2) only natural light 3) No photo retouching except light and contrast -the kind of manipulation you could do in a dark room.

Styling from her (+ her husband) closet!

Silvia

The interesting thing about my new portrait-mania is that I'm starting to look at people in a different way.

I knew Silvia years ago in Bologna, because she hired me for a fashion project; I always found her beautiful and charming, so when we met again in London, I asked her to pose for me.

We followed meticulously my self-inflicted rules: 1) Shot in her house 2) only natural light 3) No photo retouching except light and contrast -the kind of manipulation you could do in a dark room.

Styling from her (+ her husband) closet!

Silvia

The interesting thing about my new portrait-mania is that I'm starting to look at people in a different way. 

I knew Silvia years ago in Bologna, because she hired me for a fashion project; I always found her beautiful and charming, so when we met again in London, I asked her to pose for me.

We followed meticulously my self-inflicted rules: 1) Shot in her house 2) only natural light 3) No photo retouching except light and contrast -the kind of manipulation you could do in a dark room. 

Styling from her (+ her husband) closet!

Pedro for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Pedro for Visonarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Marco for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Marco for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Carlotta for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Carlotta for Visionarios

A few years ago I was asked by my friend and colleague Jacopo Manfren to contribute to his Magazine Visionarios. The rule of the magazine was: NO digital photography, only film. One thing that I love about film is imperfection: grain, scratches, dust, give to the pictures something tangible and fascinating. So I thought I wanted to publish the original scans without the cleaning, and also some of the proofs, because it's fun to see the sequence of the models' expression. If you want to see the published editorial, please click here .

Backstage

Yesterday I had the pleasure to work again with De Primera amazing crew! I rarely have the time to shoot backstage pictures when I'm on set, but I managed to do it. We realized a look-book for the Italian Brand Tuwe.

These are the models in front of the strict supervision of the stylist Ellen Mirk ;)

Backstage

Yesterday I had the pleasure to work again with De Primera amazing crew! I rarely have the time to shoot backstage pictures when I'm on set, but I managed to do it. We realized a look-book for the Italian Brand Tuwe.

This is Eugenia from The Lab Models Agency.

Backstage

Yesterday I had the pleasure to work again with De Primera amazing crew! I rarely have the time to shoot backstage pictures when I'm on set, but I managed to do it. We realized a look-book for the Italian Brand Tuwe.

The model is Anete from The Lab Models Agency. 

Yesterday I had the pleasure to work again with De Primera amazing crew! I rarely have the time to shoot backstage pictures when I'm on set, but I managed to do it. We realized a look-book for the Italian Brand Tuwe.

The model is Anete from The Lab models.

And this is Maxine in front of the swimming pool in her beautiful house in Ibiza. Maxine is a professional dj, if you are curious abut her, you can check her personal website maxinedj

I took this pic last summer in Ibiza, with my friends Raluca and Maxine.
 We arranged the styling with stuff we had in our wardrobe. I make them play the divas role, we had fun! 
I chose this shot because I think it really represents their character, or the way I see them...like a portrait should do ;)